PB2B “Moves”
The
word “move” is defined as a verb that means “to take action or make somebody
act.” “Hurry up, we have to move or else
we’ll be spotted.” However, the word, in the modern era, has a different
connotative meaning than its denotative meaning. “Three seconds left on the clock, the ball
gets into Bryant’s hands. He takes 2 dribbles to the left, he pulls up and he
scores! What a move by Bryant to win the game!” Taken into context, a “move” is
a certain action or convention that is repeated in a fashion that almost
defines a person or a thing. Although moves can apply to a wide range of
sports, jukes in football, crossovers in basketball, etc., moves also have a
very special place in writing. A particular move in writing could define an
author and his/her style. There is a large assortment of “moves” sitting inside
the reader used for class in particular, Murder!
(Rhetorically Speaking) and Backpacks vs. Briefcases: Steps Toward
Rhetorical Analysis. Both Boyd and Carol utilize their own unique,
techniques in order to convince the readers to listen to what they have to say.
Janet
Boyd, who created the work Murder!
(Rhetorically Speaking), begins her paper by talking about her own
experience with rhetoric. “The college where I first started teaching writing
called its freshman composition course ‘Logic and Rhetoric’ after two of the
three arts of discourse in the classical tradition (the third being grammar). (Boyd
36)” The very first sentence of her work establishes her connection with the
readers as she knows that many college students, who are studying rhetorical
writing, will read her work. This situation allows her to set up her
credibility by letting student readers know that she has taught students
exactly like them. The first section of her work is an anecdote that depicts
her first experience teaching the complex subject of rhetoric. This technique
could be classified as a move, as most writers don’t typically start
informative essays with anecdotes. The use of an anecdote in the introduction
sets up the rest of her piece to be casual, yet informational as well. For
example, each of the subtitles of her work combines humor and summary. One of
her first subtitles, “Getting in Touch with Your Inner Detective” provides a
detailed outline of how a writer should go about analyzing works. Within this
work, she utilizes CSI: Crime Scene
Investigation and The First 48 as
examples of works in which rhetorical devices reside in. Overall, the very first sentence in the first
paragraph of Boyd’s work provides an effective way for her to both establish
the overall tone of her work and create her literary “move.”
Laura
Bolin Carroll, the author of the piece Backpacks
vs. Briefcases: Steps toward Rhetorical Analysis, writes her piece with a
similar structure to that of Boyd, but utilizes her own “move” in order to make
this writing her own. Her opening paragraph talks about first impressions and
how many students, without knowing it, judge the professor as he/she walks into
class for the first time based on what he/she looks like. “The moment your
professor walked in the room, you likely began analyzing her and making
assumptions about what kind of teacher she will be. (Carroll 52)” Carroll
presents this idea of “snap judgment (Carroll 53)” in order to transition into
the idea of being able to analyze materials and people in a more efficient
manner. “The more we know about how to analyze situations and draw informed conclusions,
the better we can become about making savvy judgments about the people,
situations and media we encounter. (Carrolls 53)” This smooth shift from
anecdotal thoughts to rhetorical allows her to also establish her credibility
and logic with the readers, especially students. By providing the example of
first impressions, many students, who don’t initially think about how they
judge others, find that what she said is, indeed, true, thus providing evidence
for her logic. This logic ultimately creates the foundation for her
credibility. By calling upon a particular thought that many students have,
Carroll has created her “move.” Unlike Boyd’s piece, Carroll’s piece isn’t as
casual or conversational. Her piece is more directed as a breakdown of
rhetorical writing. She tends to reference many educational and informative
sources particularly the Ad Council Website. The use of the first impressions
example at the very beginning of the piece was intended to hook the readers
while presenting a very informational piece. Her move, unlike that of Boyd,
didn’t set the tone or style of the paper, but was solely used to grab the reader’s
attention.
“Moves”
are found in almost every genre of any field. Sports, advertisements, science,
etc., but moves are found particularly in writing. Moves are connotatively
defined as a repetition of a certain set of skills. In basketball it could be a
pull up jump shot, but in writing it could be the use of “I” or a
conversational tone between the writer and the readers. These moves ultimately
not only define the style or purpose in which the writer is trying to convey to
the readers, but also provide a logical/credible reason for the readers to
believe the writer.
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